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DVD Review
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A Clockwork Orange

"Being the adventures of a young man whose principal interests are rape, ultra-violence and Beethoven"

Reviewed by Cass Nunn

clockwork.jpg (7396 bytes)
Director

Stanley Kubrick

Cast
Malcolm McDowell

Music
Rachel Elkind & Wendy Carlos

Screen Format/s 1.66:1 Open Matte
Audio Track/s DD 5.1 English,
DD1.0 English
Subtitle/s English
Region Code 2,4
Chapters 36
Disc Format DVD9 Single Sided, Double Layer (71:39)
Running Time 131 minutes
Extras - Trailer
- Notes Awards
Classification R18+
Distributor Warner
Release date 6th November 2000

This DVD is Anamorphic Widescreen

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With the recent death of Stanley Kubrick A Clockwork Orange has finally had a PAL version released.

After seeing this film several times in my life and being brought up with its powerful soundtrack; I still seem to be in two minds about it. There is one side to the film, which has been described as a masterful political statement, and relevant announcement to society. Then there is the violent and quite repulsing side to the film, which has more of an impact on me. I've never been one for a violent or bloodthirsty film and this often distracts from any deeper message that the film is portraying.

Alexander de Large (Malcolm McDowell) and his 3 cronies are a group of psychologically unbalanced young men who take to the streets regularly beating the less fortunate. Their night time activities of breaking into peoples houses and raping and beating the women to death are equally disturbing. Until the arrest of Alexander who was left for the police after one particularly violent rampage.

Alex is sent to a typical prison where he learns of a new method in rehabilitating hardened violent criminals. He sees this as a quick ticket out of prison. He is accepted to trial the new Ludovico's technique and quickly learns that it is not such an easy ride after all. Subjected to numerous trials and injections, the cure is that any form of violence will make him physically ill and therefore not wanting to participate in such activities.

Seen to be cured of his reputable talents he is let free back into society where he is then an easy target for those who wish to subject violence and revenge. Making the film's statement that revenge was easier than justice, a statement, which is still quite relevant today, almost 40 years after the first release of the novel.

If you can focus on the underlying political and social statements made by this film and can see past the graphic and sexual violence than it would be quite an addition to any film collection.

So how does this transfer hold up?

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VIDEO
The 1.66:1 transfer is not Anamorphic Widescreen but doesn't seem to suffer greatly because of this. The transfer is really quite good for source material of its age. Generally the images are sharp and clear throughout and only lapsing into a soft transfer on some short occasions. Shadow detail is less than great. While the contrast gives the deepest of blacks and the brightest of whites there is some detail lacking in the shadowed areas of the images. Contrast levels are generally quite high throughout the film but this is an intended quality in the original lighting techniques used.

The colour palette is adequate but very "seventies" bright, contrasty and making an impact on the visual mood of the film at all times. Be it a bright and patterned room of illusion effects or a dim and dull prison cellblock.

There are no MPEG artefacts and only some minor telecine wobble and very minor ailiasing which mar the transfer. Film artefacts were at a minimum and hard to find in such a clean transfer.

The layer change at 71:39 is well placed and doesn't interrupt the film much at all.

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AUDIO
This release features not only a Dolby 5.1 channel audio track but also a Dolby 1.0 audio track. For the most part of the film I listened to the 5.1 track but flicked between them at times. It wasn't surprising that there wasn't a lot of difference.

Dialogue was generally clear and easy to understand aside from a couple of lines from a  prison warden around 59.20 which were basically unintelligable.

The surrounds were only put to use on some minor occassions and the .1 channel was also very scare for most of the film kicking in on the odd occasion to beef up effects or music.

The score from Wendy Carlos is a collage of some famous classical pieces including the william tell overture and pomp and circumstance and of course some other odd synthesizer mixes and songs. One which I will never forget because it is so grating was the title " I want to marry a lighthouse keeper". I have listened to this soundtrack countless time during my life and really have to give it some credit for a good collection but there are one or two tracks which really should have been left out.

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EXTRAS
Theatrical Trailer

Notes - Awards, a list of noteable achievements and awards won by this film.

OVERALL
Whilst this will always be one of the most controversial films of all time, it really is a matter of personal opinion. I can see reasons why this film would have a deep impact on some viewers and yet repulse others. I was much more affected by the sexuality and violence then the underlying intentions of the movie.

Hire it... if you like it then buy it.    

PICTURE QUALITY   8.5/10 very nice
SOUND Quality   9/10 great 
EXTRAS    4/10 very average
OVERALL   8/10 a great flick!


Review Equipment

TV: GE 68cm (16:9 selectable)
DVD: Pioneer DV737 (via S-Video)
Receiver: Yamaha DTS RX-V595a (Sweeeeet)
Speakers:-
Fronts: Wharfdale Diamond R6 (on a pair of custom made stands you'd KILL for)
Centre: Venturi
Rears: Sony bookshelf
Subby: M&K V75

- Reviewed 9th March 2001

* A Clockwork Orange  jpeg files for internet promotion use only. Copyright© exists on all aspects of these files by Warner Home Video

 

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